Online file sharing : innovations in media consumption

By:

Schwarz, Jonas Andersson

Material type: Text

TextSeries: ComediaDescription: 236 pagesISBN:

9780415854306 (hardback)

Subject(s):

DDC classification:

004.772 SCH

Summary: "It is apparent that file sharing on the Internet has become an emerging norm of media consumption especially among young people. This book provides a critical perspective on this phenomenon, exploring issues related to file sharing, downloading, peer-to-peer networks, "piracy," and (not least) policy issues regarding these practices. Andersson Schwartz critically engages with the justificatory discourses of the actual file-sharers, taking Sweden as a geographic focus. By focusing on the example of Sweden home to both The Pirate Bay and Spotify he provides a unique insight into a mentality that drives both innovation and deviance and accommodates sharing in both its unadulterated and its compliant, business-friendly forms"--

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode
Books	IUCIPRS General Stacks	004.772 SCH.1 (Browse shelf(Opens below))	Available		IPR1585
Books	IUCIPRS General Stacks	004.772 SCH (Browse shelf(Opens below))	Available		IPR1486

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Previous	004.738.5:655.41 WIN Electronic publishing agreements	004.77 SUR Competition on the internet	004.77 VAR Disability and information technology : a comparative study in media regulation	004.772 SCH Online file sharing : innovations in media consumption	004.772 SCH.1 Online file sharing : innovations in media consumption	0047.738.5:34 HOE Legal aspects of digital preservation	004.775 SIV The googlization of everything : and why should we worry	Next

"It is apparent that file sharing on the Internet has become an emerging norm of media consumption especially among young people. This book provides a critical perspective on this phenomenon, exploring issues related to file sharing, downloading, peer-to-peer networks, "piracy," and (not least) policy issues regarding these practices. Andersson Schwartz critically engages with the justificatory discourses of the actual file-sharers, taking Sweden as a geographic focus. By focusing on the example of Sweden home to both The Pirate Bay and Spotify he provides a unique insight into a mentality that drives both innovation and deviance and accommodates sharing in both its unadulterated and its compliant, business-friendly forms"--

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