000			01765nam a22002057a 4500
020			_a9781138697546 (Hardback)
082			_a341 _bBRU
100			_aBruncevic Merima
245			_a Law, Art and the Commons
260			_aNew York: _bRoutledge, _c2018.
300			_axiii,237p.
520			_aThe concept of the cultural commons has become increasingly important for legal studies. Within this field, however, it is a contested concept: at once presented as a sphere for creativity, democratic access and freedom of speech, but one that denies property rights and misappropriates the public domain. In this book, Merima Bruncevic takes up the cultural commons not merely as an abstract notion, but in its connection to physical spaces such as museums and libraries. A legal cultural commons can, she argues, be envisioned as a lawscape that can quite literally be entered and engaged with. Focusing largely on art in the context of the copyright regime, but also addressing a number of cultural heritage issues, the book draws on the work of Deleuze and Guattari in order to examine the realm of the commons as a potential space for overcoming the dichotomy between the owner and the consumer of culture. Challenging this dichotomy, it is the productive and creative potential of law itself that is elicited through the book's approach to the commons as the empirical basis for a new legal framework, which is able to accommodate a multitude of interests and values
650			_aCulture and law
650			_aLaw and art
650			_aIntellectual property
650			_aInfluence (Literary, artistic, etc.)
650			_aLAW / Administrative Law and Regulatory Practice
650			_aRhizomatic jurisprudence : terra firma and terra incognita
942			_cBK
999			_c348400 _d348400