000 | 01356nam a22002777a 4500 | ||
---|---|---|---|
020 | _a9780415737203 (Hardback) | ||
082 |
_a347.78 _bTEI |
||
100 | _aTeilmann Lock Stina | ||
245 | _aThe Object of Copyright: a conceptual history of originals and copies in literature, art, and design | ||
260 |
_aNew York: _bRoutledge, _c2016. |
||
300 | _axi,152p. | ||
490 | _aRoutledge-Cavendish research in intellectual property. | ||
520 | _aThe proposed book will present an interdisciplinary study of the history of copyright law with a focus on the historical development of the object of protection. The book analyses British, French, and Danish copyright law in order to examine the Anglo-American copyright system, the Continental authorial rights system and the Scandinavian system which is influenced by both systems | ||
650 | _aCopyright - History | ||
650 | _aAuthorship - History | ||
650 | _aCopyright - Art | ||
650 | _aLAW - Intellectual Property - Copyright | ||
650 | _aLITERARY CRITICISM - Semiotics and Theory. | ||
650 | _aPrinting paradigm copyright | ||
650 | _aUncopyrightable art | ||
650 | _aNineteenth-century artistic copyright in France | ||
650 | _aThe making of the British 1862 fine art copyright act | ||
650 | _aOriginals and copies | ||
650 | _aDesign in Danish copyright law | ||
942 | _cBK | ||
999 |
_c348408 _d348408 |